Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...

Director Shoshannah Stern’s documentary about Marlee Matlin, the first deaf actor to win an Oscar, offers thought-provoking insights into the history of disability inclusion (and exclusion) in America ...

A young couple move to the countryside and are overcome by a magnet-like attraction that threatens to fuse their bodies together permanently in Michael Shanks’s gruesome yarn.

It is a truth universally acknowledged that a novel written by Jane Austen must be in want of an adaptation. Or several. Two hundred and fifty years after Austen was born, and with Ang Lee’s Sense and ...

From Stalker to Hard to Be a God: as a wild Czech New Wave sci-fi farce surfaces on Blu-ray, we survey the unhinged dystopias and mind-bending metaphysics of the best science fiction films from ...

The BFI Executive Board balances successful, leading figures from the world of film and moving image culture with senior private sector executives who bring considerable managerial and commercial ...

England’s most-adapted dead lady novelist” – was a pleasing departure from other recent takes, argued our critic upon the film’s release. From our March 1996 issue.

British Film Institute We are a cultural charity, a National Lottery funding distributor, and the UK’s lead organisation for film and the moving image.

All but one child from the same Pennsylvania elementary school class disappears overnight in this twisty creeper from Barbarian director Zach Cregger.

A camel sits among the punters in a small London cinema in these unique promotional photos from 1962 – all intended to drum up excitement for the upcoming release of David Lean’s desert epic Lawrence ...

June 2022 Dramatic growth in production in the UK has led to crew shortages at all levels. In light of the significant challenges facing the sector, in 2021 the Department for Digital, Culture, Media ...

Using a DV camera and successive iPhones, Mapplebeck threads together 20 years of her and her son’s lives with humour, warmth and honesty.